INTERFRECUENCY 23 7, is born out of curiosity, experimenting with elements from different cultures and integrating them into a nearly exclusively original repertoire. The compositions of this project are the vehicle that permits the sound connection through which one kind of music can enter into another. 

Conversión (Conversion) (I. Aranda)
Completed on 3rd September 2006, this is the first composition written expressively for this project and has therefore become the culprit of this whole adventure. 

IRENE ARANDA • PIANO
PAUL EVANS • TROMPETA
VICENT MACIÁN • SAXOS TENOR Y SOPRANO
MATTHEW BAKER • CONTRABAJO
VICENTE ESPÍ • BATERÍA

Epitafio y fuga (Epitaph and fugue) (I. Aranda)
Inspired by the “EPITAPH TO THE DEATH OF DON QUIJOTE“; the material on which the work is based on, was originally created for choir.

“Here lies the gentle knight under stout;
Who to such height as valour got,
That, if you got mark his theeds throughout,
Death over his life triumphed not
With bringing of his death about

The world as nothing lie did trieze
For as a scarecrow in men’s eyes
He lived, and was their bugbear too;
And had the luck, with much ado,
To live a fool, and yet die wise ” 

IRENE ARANDA • PIANO
PAUL EVANS • FLISCORNO
VICENT MACIÁN • SAXO TENOR
MATTHEW BAKER • CONTRABAJO
JEFF JEROLAMON • BATERÍA

23 7 (I. Aranda / M. Baker)
The tune was composed on 23rd July 2007; we were both working separately and on the same day on similar ideas. 

IRENE ARANDA • PIANO
MATTHEW BAKER • CONTRABAJO
LOZANITO • PERCUSIÓN

Bartók wanted (I. Aranda)
An arrangement of an original work by Béla Bartók. Since the rights weren’t granted to us, only the parts which don’t carry his signature had been included in this work.

IRENE ARANDA • PIANO
PAUL EVANS • TROMPETA
VICENT MACIÁN • SAXO TENOR
MATTHEW BAKER • CONTRABAJO
VICENTE ESPÍ • BATERÍA

Grey rain (M. Baker) 

IRENE ARANDA • PIANO
PAUL EVANS • TROMPETA
VICENT MACIÁN • SAXO TENOR
MATTHEW BAKER • CONTRABAJO
VICENTE ESPÍ • BATERÍA

Pa´ tí (For you) (I. Aranda)
First version of the tune completed on 7th March 2007, coinciding with my little sister’s 23rd birthday (even though another month passed until the definitive version) ; however, the name of the tune derives from the melody of the bass in theme A.

IRENE ARANDA • PIANO
PAUL EVANS • TROMPETA
VICENT MACIÁN • SAXO TENOR
MATTHEW BAKER • CONTRABAJO
JEFF JEROLAMON • BATERÍA

La libertad y el beso (Freedom and the kiss)
(I. Aranda)
Adaptation of the theme B of “La libertad y el beso “, a work written in March 2004 for string quartet, piano and two sopranos.

IRENE ARANDA • PIANO
PAUL EVANS • TROMPETA
VICENT MACIÁN • SAXO TENOR
MATTHEW BAKER • CONTRABAJO
JEFF JEROLAMON • BATERÍA